an image diary

"And if he left off dreaming about you, where do you suppose you'd be? ... You'd be nowhere. Why, you're only a sort of thing in his dream! If that there King was to wake you'd go out -- bang! -- just like a candle!"

"Hush! You'll be waking him, I'm afraid, if you make so much noise."

"Well it's no use your talking about waking him when you're only one of the things in his dream. You know very well you're not real."

Friday, August 25, 2006

. . . . .

postcard: Bread Loaf

(wet ampersand)

***

Out of Love for the Gesture That is a Poem a House Tries to Anthropomorphize

A house beside a freeway on the fault of America
is one lonely place. To change the vibration, accept
the metaphor. Let the poem expose its credentials.
It is not treason to allow the object to act as if human,
but smugly "non-western." A C-O-W-B-O-Y wrangles
errant ontologies. A C-O-W-B-O-Y wants to go home
to her house beside a freeway on the fault of America
and read a poem that ends like this: and that is how
I learned to love the impossible.
To change the vibration,
a house must stop blaming America for its neediness,
for being such a constant bore about it all, as though
there is nothing else to speak of. When a gesture
outlasts the weather and no one notices, that is America--
one lonely place to be impossible, adrift as a poem.

Wendy S. Walters, Birds of Los Angeles

***

"and what is the use of a book...without pictures or conversations?"


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